(((Rustom))) full movie

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Full movie Rustom

Rustom Movie Cast and Crew

Star Cast: Akshay Kumar, Ileana Dcruz, Arjan Bajwa, Esha Gupta

Rustom movie Story

Rustom movie is based on the Rustom Pavri's real life story of The Nanavati Case. Film getting Trending Buzz from across the Country and Box Offfice Total Weekend Collection would be Interesting to see. 15th August Independence Day Earnings will be great to see.On day one after release, Rustom made Rs 14.11 crore at the box office, making it the fourth biggest opener of 2016. Day two, being a Saturday, the film is expected to ramp up its earnings and post around Rs 15-20 crore in ticket sales.
The film is roughly based on the real scandalous incident which took place in 1959 in Mumbai. It's a story of an honest commander Rustom Pavri (Akshay Kumar) from Indian Navy for whom his nation comes first! Later, the story pans to his beautiful world in which he is happily married to his wife Cynthia Pavri (Ileana D'Cruz) and everything goes well between the duo until he gets to know about the extra-marital affair of his wife.Rustom movie is a romantic crime thriller, directed by Tinu Desai. The movie is inspired from the famous KM Nanavati murder case.Rustom stars an ensemble cast which includes Akshay Kumar, Ileana D'Cruz, Arjan Bajwa and Esha Gupta. It is for the first time that Akshay Kumar is playing a Naval Officer, in his career.
Let's just take a moment to praise Akshay for putting his heart and soul into the character. From his behaviour to body language, from the way he talks and stands in the film, every sequence of his is worth clapping and not forgetting to mention that he is the only good thing about this over-dramatic movie! Also, he has made sure to make his character look balanced throughout the film. He has raised his pitch when needed, without making it look overdramatic and giving pure authenticity to his character.

Rustom Movie Review 

The music for Rustom has been composed by Arko Pravo Mukherjee, Raghav Sachar, Ankit Tiwari, and Jeet Gannguli, while the lyrics were penned by Manoj Muntashir. Dialogues of Rustom are penned by Neeraj Pandey.
Akshay Kumar is having a great year. Among the top five openers of the year, two belong to Akshay himself. While his Housefull 3 earned Rs 15.21 crore on day 1, Airlift’s tally was 12.35 crore. Both went on to do over Rs 100 crore business.

Rustom MP3 Songs 

01 – Tere Sang Yaara
02 – Rustom Vahi
03 – Tay Hai
04 – Dekha Hazaro Dafaa
05 – Dhal Jaun Main
06 –  Jab Tum Hote Ho.


Full Movie (((Sultan))) 2016

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full movie Sultan

Sultan Movie Cast and Crew

Salman Khan as Sultan Ali Khan
Anushka Sharma as Aarfa Ali Khan née Hussain
Anant Vidhaat Sharma as Govind/Sultan's friend
Meiyang Chang as Pro Takedown host
Randeep Hooda as Fateh Singh/Sultan's coach
Amit Sadh as Aakash, Pro Takedown founder and Sultan's presenter
Tyron Woodley as Tyron (Himself) (wrestler)
Marko Zaror as Marcus, the finalist wrestler.
Kumud Mishra as Barkat Hussain

Sultan Movie Story 

Sultan, it is basically a sports based film but with a pinch of all factors of 'paisa-vasool' entertainment i.e., romance, songs, power-packed dialogues & action! So gear up to get the answers to all your questions; How is the film? Is it worth watching or not? Does Salman deliver his career best performance.

The story grabs your attention since the start and thanks to the perfect blend of emotions and action, SULTAN turns out to be a quintessential potboiler that packs the right punches that will keep you glued.he sport in the second half, too many emotional scenes slows the pace of the film. However, Ali Abbas Zafar's directorial skills seem to have grown by leaps and bounds since his last film. A special mention to the way the wrestling matches have been shot in the second half, which are crisp and impactful.

On the whole, SULTAN comes across as a paisa vasool, seeti-maar unadulterated entertainer which will be loved by classes and masses alike. At the box office, the lack of a credible opposition, perfect release timing [festival period] combined with an extended 5-day weekend will ensure that the film will break records and emerge as the biggest hit of the year so far.

Sultan Movie Review 

Salman Khan really outdoes himself with this role of a wrestler. With this film, Salman will surely take you on an emotional roller-coaster ride. There are a few scenes, where he will make you giggle with his witty one-liners, while in other scenes, you might find yourself sobbing along with him. The second half of the film is totally dedicated to the hard work of Salman Khan. Those training sequences of Sultan, in which Randeep trains Salman, will not let your eyes blink for even a second.
Coming to the direction of the film, Ali Abbas Zafar has done a good job but that can't take away the fact that the movie has a lot of plotholes and some sequences did look over-dramatic!
Sultan is a sports-drama film and it stars the Bhaijaan, the dialogues are written according to Salman's personality. But overall, it gets a thumbs up from his fans. VERDICT: Well, it's a Salman Khan movie after all. And there is no denying that he left no stones unturned to make the film worth watching! PS: Eid & Salman is indeed a tempting combination.

[[[Dishoom]]] Full movie

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Dishoom tells the story of the kidnap of an Indian cricketer named as Viraj (Saqib Saleem) by a bookie called Wagah (Akshaye Khanna), 36 hours before an India-Pakistan final match. Wagah threatens to kill Viraj, if the match is cancelled; therefore India's External Affairs Minister designates a special task force officer to rescue Viraj. 

In this freaking complicated situation, enters Kabir Shergill (John Abraham) who leaves no stones unturned to find Viraj. In his manhunt, he is accompanied by Junaid Ansari (Varun Dhawan) who is a Middle-Eastern cop. The duo turns buddy cops and are on a quest to find Viraj. Jacqueline Fernandez plays the love interest of Junaid, but her character has much more to offer in this film; watch the film to find out! Now, whether Junaid and Kabir would bring Viraj before the match begins and how, forms the crux of the story!

Varun Dhawan is one talented actor and there is no doubt in that! From mind-blowing stunts to whistle-worthy dance performances, from naughty dialogues to balanced acting, Varun gets ten out of ten! On the other side, John sizzles in his serious avatar and rather did a good job as a tough cop! However, we gotta give credit to Rohit for smoothly establishing the comic chemistry between Varun and John and didn't let one overshadow the other! With her sizzling appearance and a body to die for, Jacqueline did full justice to her role and totally nailed it during 'Sau Tarah Ke' song sequence!

They think they’re making an action movie, of course, but the fact is that everything -- from an overabundance of slow-motion, to the way words like 'one day ago' fly across the screen in the Dhoom font, and the way the film starts and ends with music videos -- is for effect.Done well, this often obvious style can be rather rollicking, and there are times when Rohit Dhawan’s Dishoom is actually fun.The first half is breezy and snappy, and the increasingly irrepressible Varun Dhawan is on point.

There is much room for hilarity in a setup like this, and the film taps into a fair bit of it, even as the set-pieces get bloated and the background score thuds with relentless urgency and repetition.This cricketer -- Viraj, a combination of Virat Kohli and Yuvraj Singh, if you will -- is played by Saqib Saleem, and the youngster obviously knows how to hit full-tosses all over the place. Saleem is a fine performer and the cricketing bits seem as authentic as they need to be in a film like this, and the initial mystery of who kidnapped Viraj is an intriguing one.

Full movie [[[Mohenjo Daro]]

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Mohenjo Daro Movie Cast and Crew

Star Cast: Hrithik Roshan, Pooja Hegde, Kabir Bedi, Arunodaya Singh, Suhasini Mulay

 Full Movie  Mohenjo Daro

Mohenjo Daro movie Story

Sarman (Hrithik Roshan), a sturdy young boy lives with his uncle and aunt in the small village of Aamli. Since the very beginning, Sarman has been adamant to visit Mohenjo Daro and was charmed by the famous trade land. But, for some strange covert reasons, his uncle was not keen on allowing him to go to the big town. Finally after all the efforts, Sarman’s uncle and aunt agree to send him to Mohenjo Daro for trade purposes.

Sarman reaches the place and undertakes his trade practise that is when he sees Chaani (Pooja Hegde) and instantly falls for her. Chaani is the daughter of the head priest of Mohenjo Daro and is considered a blessing of the Sindu River. Mohenjo Daro is the land of the greedy and cruel, where the ultimate punishment, for any one going against Pradaan Maham, is death. Maham (Kabir Bedi) is the monstrous head of the town, who is exploiting the people for his selfish needs.What is Sarman’s connection with this new trade land? Will he be able to get the love of his life Chaani? Will he be able to save the innocent people from the slavery of the Maham? Answers rest in the second half of the film.

Direction and other Technical Aspects: Director Ashutosh Gowariker is known to direct historic period dramas and has created exceptional cinema in the past. With this film, the director once again attempts to create a historic period drama with a large canvas. But, lets the audience down with an extremely ordinary storyline and narration. Since the film has been announced and started taking shape, there were a lot of expectations from it. The whole set up and Indus valley background created an excitement and a certain hype. But, the average plot was unable to hold the audience’s attention. Many sequences were way too overboard and some seemed unreal. The camera work is decent, it could have been more intriguing. Cinematography by C. K. Muraleedharan is good. Editing by Sandeep Francis is average; it could have been a lot more crisp. Costumes by Neeta Lulla and April Ferry are appreciable. The VFX and special effects are above average.

Mohenjo Daro Movie Review 

Performances: Hrithik Roshan is the whole and soul of the film and makes the period drama watchable and believable. He carries the entire movie on his strong shoulders, pulling off even the toughest fight sequences smoothly. His performance is commendable.

Pooja Hegde makes her Bollywood debut with this movie. Unfortunately, she does not have much to offer through her role. The beautiful diva delivered an average performance. She received one opportunity to showcase her acting strength in a scene, when after her father’s death she had to appeal to all the villagers, but, she falls short to create an impact there.Kabir Bedi is the baddie of the movie. He is the cruel Maham of Mohenjo Daro who exploits innocent peasants for his selfish needs. He does a decent job and managed to pull it off. All the supporting actors essayed their role justifiably

Mohenjo Daro MP3 Songs 

01 – Mohenjo Mohenjo
02 – Sindhu Ma
03 – Sarsariya
04 – Tu Hai
05 – Whispers Of The Mind
06 – The Shimmer Of Sindhu
07 – Lakh Lakh Thora.

full movie [[[Great Grand Masti]]]

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Great Grand Masti

Great Grand Masti  is a  comedy film directed by Indra Kumar and produced by Ashok Thakeria. It featured Riteish Deshmukh, Vivek Oberoi and Aftab Shivdasani in lead roles. The film also starred Urvashi Rautela, Shraddha Das, Mishti and Pooja Chopra.
Great Grand Masti is the third installment in the comedy series, which started way back in 2004 with the sleeper hit Masti. 

Riteish Deshmukh, Aftab Shivdasani and Vivek Oberoi are back reprising their respective roles but this time, their comic antics are epic fail.The basic plot of the film is similar to the first film. Amar, Meet and Prem are fed up with their not-so-exciting lives. While Amar (Riteish Deshmukh) lives with his wife and annoying mother-in-law, Meet (Vivek Oberoi) has a body builder brother-in-law to deal with. Now, the latter has a cosmic connection with his sister as they are twins. So if Meet is romancing his wife, his brother-in-law, wherever he may be, also gets excited. 

Prem (Aftab Shivdasani), on other hand, lives with his sexy sister-in-law. She looks hot but acts like a kid and therefore the former never gets a chance to be with his wife.So when these three friends are deprived of ghar ki biryani, they decide to try gaon ki biryani, and head off to Amar's haveli in Dhoodwadi village.
That's when Urvashi Rautela comes into picture. She plays a ghost and her only wish is to have that one passionate night which she couldn't while she was alive.When Amar, Meet and Prem arrive at the old mansion, they are mesmerised by Ragini's (Urvashi Rautela) beauty.They dance, have fun and then finally realise she is a ghost. That's when more drama and mayhem ensues. 

Apart from few comic gags here and there, Great Grand Masti is a painful ride. The writers have used every Whatsapp joke possible in the film.Sonali Raut and Shreyas Talpade make an appearance in the film but I wonder why.Aftab is unbearable because of his annoying expressions.Vivek's acting is over-the-top.

Though Riteish isn't fantastic in the movie, he is a genuinely good actor and it's sad to see him waste his talent in a film which has absolutely nothing to boast about. Sanjay Mishra fails to add any comic element to the story.The three leading ladies -- Shraddha Das, Pooja Bose and Mishti -- hardly have any screen time.Urvashi Rautela, in her revealing itsy-bitsy costumes, is just about okay.

[[[Udta Punjab]]] full movie

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Udta Punjab

The hard realities of how drugs are smuggled from across the border, and people running this business is what Abhishek brings to light. With his third film, Abhishek has pushed the boundaries of commercial cinema with his unique storytelling skills. 

Abhishek's arresting narrative that ties Punjab’s drug crisis with its politics, gives enough space to all the characters to grow on you. A very smooth and engaging screenplay by Sudip Sharma ensures there is never a dull moment in a film that runs for around 2 hour 20 minutes.

As Alia and Shahid, both victims of drug and physical abuse fight their demons and destinies, you shed a silent tear. Shahid has got his act pat but Alia beats everyone hollow. Kareena and Diljit are adept. This review also doffs a hat to the nuanced performances of Satish Kaushik, Prabhjyot Singh and Manav Vij.

Udta Punjab movie is a stout-hearted thriller, based on the drug mafia and its deep-rooted nexus in Punjab. All the stars are playing pivotal roles in the movie. The title of the movie seems to be apt as per its subject.
Coming to the performances of the film, undoubtedly, Shahid and Alia have emerged as the winners and take the trophies for their career best performances. However, that does not mean that Kareena and Diljit have not performed well. They have done an excellent job too, but it's the get-ups and accent of Shahid and Alia, which won our heart (like, literally!).

Coming to the direction of the film, Abhishek Chaubey has done a good job! However, we think editing of the film could have been better. The make-up artists of the film have done a fantastic job and you will be surprised at how real all the characters are looking on the screen!

Director Chaubey has done an outstanding job of showcasing Punjab’s drug-addled state. It’s not a pretty scene and he doesn’t shy away from showing ‘the land of five rivers’ as a glorious mess.
There are lengthy disclaimers in the beginning that claim that the state and the police have been fighting a valiant battle against drugs in Punjab and that the makers’ intention was not to depict any state in a bad light, but there’s no denying that the drug problem is a real one.Credit is due to Chaubey for taking a grim subject and making it interesting. There are a few dull moments in the second half, but the climax packs a punch. The way the worlds of a cop, a heroin addict, a rock star and a doctor intersect is cleverly shown. Be sure to give Udta Punjab a shot.

FULL movie [[[TE3N]]]

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The film's director Ribhu Dasgupta, whose last film was the forgettable MICHAEL, returns with the whodunit thriller TE3N. While the promos of the film were enticing and thrilling, the sad part is that the same cannot be said about the film in totality. Right from the first scene, the film's oscillation between the past and the present leaves the viewers a bit confused.

As for the performances, TE3N boasts of three powerhouse performers in the form of Amitabh Bachchan, Nawazuddin Siddiqui and Vidya Balan.On the whole, TE3N, despite being a whodunit thriller, suffers extremely because of its slow pace and weak screenplay. At the box-office it will be unable to connect with its target audience.

There are things TE3N gets charmingly right. It starts with a moment straight out of Gol Maal, set at a police station, an affectionate tribute to kick things off, serving also as a sobering reminder that Amitabh Bachchan, once the lanky lead (or lead's closest friend) in sparkling Hrishikesh Mukherjee comedies, is now (much) older than Utpal Dutt was when he filmed that immortal scene with Keshto Mukherjee.

While on actors and aging, the film also features Bengali veteran Sabyasachi Chakrabarty, who memorably played Feluda in Sandip Ray's films. True to form, in the one scene where Chakrabarty smokes, his cigarette of choice, like the famously loyal sleuth, is a Charminar.

Age -- and, indeed, time -- are important parts of director Ribhu Dasgupta's narrative in his confoundingly titled thriller, and Bachchan is the ideal choice for the part of an inconsolable grandfather, doggedly desperate to find out about a long-ago kidnapping that led to his granddaughter's death. The actor shuffles through both bewilderment and clarity, everything a struggle for his John Biswas, from starting a scooter to remembering the name of the soup he's making.

He's terrific in the part, evocative and righteous and overreaching for the truth but alas, Dasgupta seems too smitten with Bachchan to get a move on and tell the story. A remake of the Korean thriller Montage, Te3n unfolds its dramatic plot -- too sluggishly -- but this isn't too bad until we hit the climax, after which the film's makers are too obsessed with Bachchan (and his reactions to the climax, and its twist) to let the story work.

One of the most exasperating things about Hindi movies are their over-reliance on flashbacks, their need to spoon-feed audiences by reminding them of something they saw 10 minutes ago, and the last half-hour of Te3n goes on interminably, recapping the entire film as if to show us how clever they've been. Tragically, however, they haven't been clever at all. It's difficult not to predict the film's twist, and -- the fundamental problem in films that hinge too critically on that massive twist -- when that doesn't fall into place, the whole house of cards collapses to the ground.

Full movie [[[Housefull 3]]]

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Housefull 3 Full Movie

Cast: Akshay Kumar, Abhishek Bachchan, Riteish Deshmukh, Jacqueline Fernandez, Nargis Fakhri, Lisa Haydon, Boman Irani and Jackie Shroff.

The film is a romantic comedy and it revolves around three men Sandy/Sundi (Akshay Kumar), Bunty (Abhishek Bachchan) and Teddy (Riteish Deshmukh). The three men fall in love with the 'oh-so-sanskari' daughters of Batook Patel (Boman Irani), who are 'not so sanskari' in real. Sarah Patel (Nargis Fakhri), Jenny Patel (Lisa Haydon) and Gracy Patel (Jacqueline Fernandez) are the three daughters. Weirdly, Batook is the only father in the world, who doesn't want his daughters to get married. Hotter Than The Hottest! Katrina Kaif's New Bikini Pictures From Latest Vogue Photoshoot! One by one, Sandy, Bunty and Teddy enters the house of Batook Patel as his daughters' boyfriends and then the fun-drama begins. As it's a franchise of Housefull, ' a series of confusion and lies' are an unavoidable part of the story. Now, how the three convince Batook that they are a perfect match for his daughters, forms the crux of the story.

Coming to the performance of the cast, let's say Housefull 3 is solely for Akshay Kumar's fans out there. Akshay Kumar's impeccable comic timing and quirky antics will make for some great gags but not as much as it did in Housefull. So, undoubtedly, Akshay is the only grace about this absurd comedy. Riteish Deshmukh is one talented actor and owing to that reason our expectations from him is always high. His comic timing through the film is exceptional, but there just isn't enough meat in his character to allow him to rise above mediocrity. Abhishek Bachchan, as usual was struggling hard to compete with the comic timing of Akshay and Riteish and ends up boring us with his below average funny antics.

Producer Sajid Nadiadwala’s next installment in the Housefull series features three leading ladies -- Nargis Fakhri, Lisa Haydon and Jacqueline Fernandez -- who can’t speak Hindi. 

So apparently, one of Housefull 2 stars John Abraham had to be replaced by Abhishek Bachchan because the latter speaks better Hindi.

“Since we have three ladies who can’t speak Hindi, we needed three heroes who'd be fluent in it. Akshay Kumar, Abhishek Bachchan and Riteish Deshmukh fit the bill and share great chemistry on screen,” a source close to the film explains.

“The Housefull 3 ladies can’t speak Hindi. They can’t talk to one another because they don’t know each other. This is a tough one. We’re working on it,” the source adds. 

Word is, director duo Sajid-Farhad (who replace Sajid Khan who's directed the first two Housefull films) plan to work on the language aspect with his leading ladies.

[[[Waiting]]] full movie

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CAST: Naseeruddin Shah, Kalki Koechlin, Rajat Kapoor, Arjun Mathur, Suhasini Mani Ratnam
GENRE: Drama
DURATION: 1 hour 39 minute

STORY: Tara (Kalki Koechlin) is a fiercely independent woman whose life turns upside down after her husband Rajat (Arjun Mathur) meets with an accident. At the hospital, she meets Shiv, an elderly man whose wife of 40 years has been in the coma for eight months. The two strike an unlikely friendship that helps them cope with their grief. 

REVIEW: It is commendable that director Anu Menon has whipped up a warm tale about love, loss and surviving life's catastrophic blows, with such simplicity. Her lead characters - Shiv and Tara - have nothing in common. Menon plays on their generation gap to offer some genuine smiles. He can't utter the 'F' word. She is brash but awkwardly loving. His coping device is faith; hers is shopping. And yet, the two bond over the vital stats of their spouses. 

We meet a senior, Shiv Natraj (Naseeruddin Shah), who glides through his regimentally repetitive days with mechanical ease. Caring for his wife who has been in a coma for eight months, Shiv is hopeful of recovery, and, as is explicitly stated in the film — zen. He meets Tara (Kalki Koechlin), a recently married woman, when she rushes to the hospital to find her husband in the intensive care unit, following a morbid road accident. Shiv, now at a comfortable stage of grief, offers a situational gag, "They must've told you, 'The first 48 hours are crucial'. They (doctors) must be saying it to each other too." While Tara takes a while to adjust to Shiv's sensibilities, when she does, they're able to discuss life, longing and a lot more, while strolling along the serene waters of Kochi, where the story is set. But beyond reasonable prediction, they don't bond over their common setbacks to find more in common with each other. Rather, they spend time reflecting on better times and taking a dig at each other. 

A casual yet significant reference in the film is on how fickle relationships have come to be. We want to 'be there' for a loved one at a time of need, but if this requires altering our plans or relaxing our priorities, we would rather 'be there' in spirit. When Tara calls on her bestie to inform her about the terrible turn of events, the friend shares her deepest regrets and even promises to 'chant' for her husband's recovery. At a later point, during an outburst, Tara tells this friend, that she'd like to see her 'chant' and 'stay positive' when one of her family members would be in the ICU. 

Director Anu Menon has the tenacity of a Sofia Coppola to produce frames where not much happens but one is unable to look away. You're even drawn to the micro gestures: a flicker of an eyelid as a tear drop leaves a trail down the face or even a hand sliding over another. Naseeruddin Shah, who has admitted on occasion, that if he has done films like Tridev or more recently, a Welcome Back or Teraa Surroor, the motivation comes in the form of a cheque. But here, a lot more drives his character. Naseer's Shiv is relentless, resolute and refreshingly irreverent. But this film belongs to Kalki, who impresses by managing to wordlessly convey her character's state of mind in every scene. 

[[[Veerappan]]] full movie

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Veerappan full movie

Veerappan fictionalises the life of the notorious brigand, brought to us in typical Ram Gopal Varma style – gritty and engaging. Looks like Ramu has found his long-lost mojo with this one.

A cop is killed by Veerappan (Sandeep Bharadwaj) and the dead man’s wife Priya (Lisa Ray) joins the force as a spy to avenge her husband’s death. And she uses the bandit’s wife to get to him. That, more or less, is it. The narrative traces Veerappan’s reign of terror, his poaching and smuggling, the bandit reveling in his mockery of the forces, hiding out in labyrinthine forests, passing time killing an elephant or two.

RGV has told it taut, specially in the second half that is all about Operation Killing Veerappan. Sandeep’s transformation as Veerappan is commendable -- from his looks to his dialect. Here’s an actor waiting to be explored. Usha too plays it easy. Sachiin was a delight and perhaps this is his best performance so far.
Sandeep Bhardwaj looks uncannily like Veerappan, the ruthless brigand who created such terror in the jungles of Karnataka and Tamil Nadu that even the specially set up and armed-to-the-teeth Task Forces couldn’t nab him. The film has scenic locations : dense jungles, lush-green forests, ravines and waterfalls, through which Veerappan and his gang rampage, killing humans and tuskers and felling sandalwood trees. And it is quickly evident that Varma is keen on telling us an actual story which had the potential to provide insight into the life and times of a man who believed that breaking the law was infinitely better than giving up.

‘Veerappan’ , based on his own Kannada ‘Killing Veerappan’, never becomes that film. Bhardwaj is to be seen wreathed in a perpetual snarl, hacking away at human limbs and shooting luckless elephants. The other three who split the rest of the screen time are Joshi, playing the mastermind behind Veerappan’s capture , a slain-by-Veerappan officer’s widow ( Ray, unintentionally hilarious) and the outlaw’s wife ( Jadhav, far too sympathetic), and they are made to scurry around to little impact.
As far as the performances are concerned, despite the film having an author backed role, the laurels oscillates between Sandeep Bharadwaj and Sachiin J Joshi. Sandeep Bharadwaj looks extremely convincing and resounding like the real Veerappan. Right from the mannerisms, expressions, body language and finer nuances, he scores from the word go. A special mention here goes to the veteran make-up artist Vikram Gaikwad for being responsible for the magical transformation of Sandeep Bharadwaj into Veerappan. On the other hand, Sachiin J Joshi excels in his role of a STF officer who lives with the sole aim of nabbing Veerappan. He exhibits aggression, angst, anger and helplessness in the most convincing manner, with a body language to match. While Usha Jadhav does a decent job with her character, Lisa Ray, who initially seems to be struggling with emotions, gradually becomes at ease with it. The rest of the film's characters help in taking the film forward. 

[[[Phobia]]] full movie

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Starring Radhika Apte in the lead, Phobia is easily one of the best psychological thrillers to have come out of Bollywood.

From performances to camera work to narrative, all the elements are so finely tuned and in sync that you will be hooked from the word go. At least, I was and that doesn't happen to me very often, especially when I am watching a Bollywood thriller.

As the title suggests, the film revolves around a person who has a phobia.
In this case, it's Mahek (Radhika Apte), a very talented artist. After a traumatic incident, Mahek develops agoraphobia -- a fear of public places. Also, she is intimated about meeting new people.
Her situation aggravates with each passing day and that creates problems for her sister and nephew, who live with Mahek.

Mahek's good friend Ishaan (Satyadeep Mishra) steps in and decides to help her. He shifts Mahek to a new place where she befriends Nikki (Yashaswini), a pumped up college going teenager.
But Ishaan's move doesn't really help Mahek overcome her phobia. Instead, she starts sensing that something is wrong with her apartment. She starts seeing and hearing things.

To make matters worse, her neighbour, Manu (Ankur Vikal), is a creepy guy who has been attending laughter therapy sessions to deal with his anger issues.While Mahek tries to adjust to the new place, she finds a personal diary in the apartment that belongs to its former occupant, Jiah. After reading the book, Mahek concludes that Jiah is dead and that Manu is the one who killed her.
Is Mahek right? Or is she imagining things because of her phobia? You will have to watch the film to find out and, trust me, you won't regret it.

The first half of the film is engaging, terrifying and exciting, all at the same time. The camera work, too, is very sharp. There are quite a few scenes which will scare the hell out of you. The one right before the interval will certainly send shivers down your spine.Kripalani explores the theme of agoraphobia very well. Kudos to him for trying a new concept. I was super impressed with the first half and expected a thrilling ride in the second half as well. However, the film stretched a bit post interval.

Also, I was wanted Phobia to end on a high but that didn't happen. The story got a bit predictable and the whole build-up to the climax just didn't hit me hard.Having said that, Phobia is undeniably a well-made thriller worth watching only in theatres. 
Radhika Apte is stellar as the victim suffering from agoraphobia. Her performance is so believable and convincing that you feel her pain, her anxiety and you sympathise with her situation.

She is vulnerable yet very strong. And Radhika, with her acting, gets that across effortlessly. 
I can't imagine any other actress in this film but her. The leggy beauty deserves a lot of awards for this one. I hope she continues to do more films every year because its an visual delight to watch her on the big screen.


Sarbjit hindi full movie 2016, Sarbjit Full movie watch, Sarbjit movie Download, Sarbjit movie cast and crew, Sarbjit movie Story, Sarbjit movie Mp3, Sarbjit movie Review,  Sarbjit Latest, Sarbjit new

Sarbjit full movie


Star Cast Randeep Hooda, Aishwarya Rai Bachchan, Darshan kumar, Richa Chadha

Cinematography Kiran Deohans
Music Amaal Mallik, Jeet Gannguli, Tanishk Bagchi, Shail- Pritesh and shashi shivam
Edited by Rajesh Pandey
Country India
Language Hindi
Release Date May 20th 2016
Written By Rajesh Beri and Utkarshini Vashishtha
Directed By Omung Kumar
Produced by Sandeep Singh, Vashu Bhagnani, Bhushan Kumar, Deepshikha Deshmukh, Omung Kumar, Jackky Bhagnani, Krishan Kumar, Rajesh Singh
Sarbjit Singh played by Randeep Hooda lives in a small village named Bhikhiwind near Punjab along with his sister Dalbir Kaur, who is Aishwarya Rai and his father. Sarbjit Singh has two daughters swapandeep Kaur and Poonam Kaur. Poonam Kaur will be seen as Ankita Shrivastav. Sarabjit Singh will be seen playing the role of a farmer who will be working in other people’s farm to live. Once he crosses Pakistan border unintentionally and gets arrested by Pakistan army. Pakistani army tortures him keeping various allegations on him like Sarabjit Singh as an Indian spy who comes to the Pakistan secrets and also blames Sarbjit Singh as responsible for Bomb blasts happened in Lahore city. These Lahore bomb blasts were done by Manjit Singh from Pakistan. Aishwarya Rai will try her level best to protect her brother, and she will fight for two decades to set Sarabjit Singh free. Sarbjit is all about how Aishwarya Rai struggles hard to protect her brother.
Aishwarya Rai Bachchan and Randeep Hooda starrer Sarbjit opens weak, improves only marginally over the weekend and drops on Monday. It will be a loser.After squandering an opportunity with the biopic on boxing champion Mary Kom, he returns to chronicle the long struggle to bring justice to Sarabjit Singh by his sister, Dalbir Kaur in the weepy, wasted premise of Sarbjit sans the Kumar’s cosmetic sensitivity and overblown depiction of incredible lives proves to be his undoing yet again.

The true story of Sarabjit Singh is heartbreaking to say the least -- a farmer from Punjab who strayed across Pakistan border in a state of drunken stupor only to be apprehended and accused of espionage by cops resulting in a death sentence upheld by Pakistan Supreme Court.

Languishing in a Lahore jail for over 20 years -- even as Dalbir campaigned her brother’s cause on legal, political and social platforms -- Sarabjit finally succumbed to serious injuries after he was brutally attacked by two inmates.

Even if one looks at it dispassionately, there’s much to address in the nature of diplomatic complacency, its enormous failure to facilitate justice and falsification of available information, the ambiguity of internal politics, the uncomfortable reality of intelligence agencies or the casualties of an unceasing India-Pakistan crossfire.

It’s disturbing to see how a reality signified by guts and anger is portrayed in a manner too jittery to offend anyone or evoke discontentment at the ministry through its protagonists.

Director Omung Kumar plays it woefully safe and completely avoids treading on political toes except for a token representation now and then. Of course, the opportunity to squeeze in a jingoistic jab is always welcome.

Barring superficial interactions, the viewer seldom gets an effective picture of the extent of endeavor and elbow-nudging, Dalbir must have engaged in to draw attention, find connections and seek repeated audience with bigwigs running the country.

What one does hear is a screechy Aishwarya Rai Bachchan screaming till she’s unconvincingly overtaken the clamor of fake crowds gathered around her. She is Dalbir Kaur, a woman single-handedly crusading to clear her brother’s name as ‘spy’ and ‘terrorist’ and bring him home.

Aishwarya’s efforts to look and sound the part show. But not in a way that helps the movie. She’s unwieldy in her rage -- when pointing angry fingers at gawking guards or beating her chest to proclaim her ‘Sikhni’ strength to a carefully manufactured mob or violently pulling out stems in a mustard field to release her pent up frustration.

Full movie [[[Azhar]]] 2016

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Azhar full movie

While Prachi Desai plays the role of Azhar's first wife Naureen and Nargis Fakhri plays the second wife Sangeeta Bijlani.  Lara Dutta plays the role of a lawyer in Azhar. 

As early as June 2013, producer Ekta Kapoor had spoken of her plans and signed a contract with cricketer Mohammad Azharuddin to make this film based on certain well known and highly talked about incidents and facts of Azharrudin's life. At that time actors Saif Ali Khan, Ranbir Kapoor, and Ranveer Singh were on her wish list. Azharuddin was quizzical over the film until after he had read a copy of the script presented to him by director D’Souza.

The film have been shot at Lords, the Oval, Canterbury, Derby and Edgbaston cricket grounds and other places in the United Kingdom including Harleyford Manor, Virginia Water, Mayfield Lavender Farm, and Windsor. 
former Pakistan Test all-rounder Azhar Mahmood has been offered the assistant coach's job with the national cricket squad, which is set to tour England this summer. 

The Chairman of the Pakistan Cricket Board (PCB) Shaharyar Khan confirmed that Azhar had been offered the job, which would also include duties of a bowling coach. 

"Azhar has agreed to take up the assignment but will confirm once he has settled some contractual obligations with his county in England," Khan said. He said Azhar's appointment has been made after consultations with new head coach Mickey Arthur. 

"Mickey Arthur had specifically asked us to appoint a Pakistani assistant coach with him as this would make it easier for him to settle down quickly in the team and also communicate and understand the players psyche better," Khan said. 

Arthur reached Lahore on Thursday after a delay to officially take charge of the squad, which is already announced for the four-Test series in England. 

According to a reliable source in the PCB, Arthur had been keen to have former Test leg-spinner Mushtaq Ahmed as his assistant coach but the PCB said the latter couldn't be released from his duties at the National Cricket Academy since a new Director of academies Mudassar Nazar was due to take over from June 15th.

Azhar was also appointed bowling coach on a special short-term assignment for the World T20 in India, where Pakistan faltered badly and this led to changes in the team management with head coach Waqar Younis stepping down and the national selection committee being disbanded.

Interestingly, according to the board source Azhar had also submitted his own report on the team culture and performance after the mega event and he was critical about the lack of professionalism in the team.

full movie [[[One Night Stand]]]

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One Night Stand movie

Leone is waxen and blank throughout the proceedings, while her co-star Virwani -- pretty alright when being cheeky or villainous -- is at a loss when trying to look sad, or drunk. There is something to him, though, and I find him more intriguing than most of the insipid new kids, say, a Sooraj Pancholi.
ONE NIGHT STAND is one such film, wherein the film's makers have tried to present Sunny Leone in an interesting role.
The story and screenplay by Bhavani Iyer seems to be the real culprit of the film. ONE NIGHT STAND has an interesting plot and concept, but Bhavani fails to expand it into an engaging narrative.
On the whole, ONE NIGHT STAND suffers due to a weak script. It does have its moments, however at the box-office, the film will struggle fighting the competition from other big releases.
This isn’t quite what I bargained for.
Contrary to what the film’s publicity and songs would have one believe, One Night Stand isn’t yet another tawdry skin-flick with exploitative cleavage shots in place of a script.It is, in fact, rather strikingly, a film without a hero and with two strong female characters, a film that has something to say.I expected a film celebrating a romp but I was pleasantly surprised to watch a cautionary tale instead.
The idea of a protagonist losing his head over a fling and turning into a complete jerk is a solid one, made more interesting as the two well-defined female characters in the film appear to know exactly what they want in life.Alas, if only it’d been made with more finesse. The film’s writing is clunky, and the cast, despite an overall earnestness, are nowhere near good enough to rise above the eventually cliched material.
The overall effect is that of watching a true-crime show -- like Channel V’s Gumraah -- stretched to a feature-length duration.
Come to think of it, they could have used a bombastic Hindi speaking narrator like those shows, if only to underline the exaggeration unfolding on screen. Without underpinning the preachiness, things appear tragically amateurish.
Urvil (Tanuj Virwani) comes to office, starts his day by checking Facebook, and has a receptionist who says bye to him in a sing-song voice on the phone even from 10 feet away.
Celina (Sunny Leone) holds a camera like it’s a completely alien object, despite calling herself a photographer.Simran (Nyra Banerjee), is, by contrast, so markedly innocent that she makes macaroons and cupcakes and wears a t-shirt that says ‘Totally Sweet.’Directed by Jasmine D’Souza and written by Bhawani Iyer, the film manages to stay watchable when making points against slut-shaming and double standards, and while the gender-politics is rather obvious, it is good to see a film starring Sunny Leone at least try to position itself on that pulpit.

[[[1920 London]]] hindi Full movie 2016

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1920 London full movie

CAST: Sharman Joshi, Meera Chopra, Vishal Karwal, Sushmita Mukherjee, Avtar Gill
DIRECTION: Tinu Suresh Desai
GENRE: Horror
DURATION: 2 hours

There isn't an inkling of innovative thinking in the third installment of the 1920 series. The best thing that can be said about it is that it will remain one of the year's funniest films. Blood talk, daayans and jaadu tona are all in vogue this season (ahem!) but in the horror genre, these things are so passe. One look at the daayan and the first thing that will pop in your head is 'For Devil's Sake, someone get the poor woman a stylist'. With her sense of make-up, anyone would be looked down upon by their peers. No wonder she rages, roars and rumbles to find herself a soul. 
Shivangi (Meera Chopra) comes from a royal family in Rajasthan and is married to a prince named Veer (Vishal Karwal). They receive a necklace from their hometown which casts a vicious spell on him. He is possessed by a daayan and the only man who can help is Shivangi's ex-lover Jai
1920 London is a hindi horror movie from the director Tinu Desai. Movie Stars Sharman Joshi, Meera Chopra and Vishal Karwal in lead role. 
The witch in the Bollywood horror film 1920 London would kill for a soul. She wants it so bad that this demon, with tar-filled eye sockets and a perennial bad hair day, will destroy anyone that comes in her way.

Watching this supernatural thriller is so exhausting that the viewers may contemplate laying down their souls for her. For that would mean the torture in the guise of a horror film-meets-unrequited love story would mercifully end.

The third in the '1920' horror franchise, '1920 London' failed to make an impact at the box office. The film starring Sharman Joshi, Vishal Karwal and Meera Chopra made a total of Rs 7.50 crore in its first weekend.
The song 'Gumnaan hai koi' is a recreated version of the original song from the 1965 film 'Gumnaam.' Interestingly, while the music rights of the film have been acquired by , the rights for this song have been bought by Saregama.
A haunted mansion, rocking chairs, creaky sounds, a damsel in distress, a possessed man, an exorcist are all extremely gimmicky. But Vikram Bhatt prefers relying on these over-sold elements even in 2016. From the first frame itself, you get a hint of how ridiculous this will turn out to be but you sit in the hope that probably there will at least be one good enough scene that will scare you. Alas, no luck at that. 

Director Tinu Suresh Desai redeems himself only because he gives us enough things to laugh about. There are corny dialogues that provide some comic relief. And the visual of a flying Sharman ala Shaktiman, will have you in splits. Clearly, the actor sleepwalks through his role and a good pay cheque seemed like his only impetus to see this through the end. Meera is abysmal and the rest of the actors with their grim voices are not worth mentioning.

[[[Baaghi]]] 2016 full movie

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It is the money shot of the film. Whenever we see Tiger doing something that involves his hands, legs, torso, head, all moving in perfect sync, scything up, slashing down, revolving on the balls of his feet, we are watching: it is a pleasure to see this young actor move, no jerk, all flow. When he is in action, that is. When he is ‘acting’, he is still clearly a novice. 

Why does a film with a new hero, who can reveal a beautifully muscled chest, and do such jaw-dropping stunts, not go for broke and create freshness all around?

It may hurt, but there’s no easy way to say this: Tiger Shroff can break bones with his bare hands, but he doesn’t have the power to emotionally sway viewers.

In the violent romance Baaghi, his acting is as rigid and stiff as his washboard abs. While it is inspiring to watch him demolish his enemies using Kalaripayattu (traditional martial art form from Kerala), the motive behind him going on a rampage is poorly established.

Shroff does a stand-up job of executing hand-to-hand combat moves, but there’s little else to look forward to. If you are looking for an all brawn and no brains feature, then watch Baaghi. Otherwise, it is wise to duck this missile of a movie.

Baaghi, gives a double dosage of action and strength, as both Tiger Shroff and Shraddha Kapoor are involved in quite a few power-packed scenes. The movie, has shown Shraddha Kapoor in a never seen before fighter look, and the beautiful lady, has a romantic side to her as well.

Tiger and Shraddha, have successfully managed to entertain the audiences with their acting and fighting skills, and will not disappoint you at any instances in the whole movie.

A must watch! No matter if you are an action movie lover or not, Baaghi, is a visual treat to everyone. The movie has romance, action, drama and edge of the seat thrilling scenes. 

The plus point of the movie is that it's not predictable at all, and has many new twists which you can never think of! Baaghi gives you 100 percent value for your money! Don't miss this, else you will regret by not watching Bollywood's 'best action film ever'!

Tiger Shroff (Ronny) is a rebel, and his ailing father worries about his future and sends him to Kerala, to be disciplined and learn the art of Kalariypayattu (Martial Arts). The film is about two people (Tiger Shroff & Shraddha Kapoor) who meet during a train journey, and immediately fall in love with each other during the rain. 

The rain, plays an important part in the film as Tiger Shroff, keeps bumping into Shraddha Kapoor coincidentally every time it rains, and in the process make their love much stronger. At the same time, Shraddha Kapoor also manages to catch the eyes of, Sudheer Babu, and he falls in love with her. 

Sudheer Babu, is a typical gangster who doesn't take no for an answer. Sudheer decides to marry Shraddha Kapoor at any cost. Tiger Shroff & Shraddha Kapoor, have a lot of romantic scenes and make their love stronger than ever. The duo, look extremely sweet and are a match made in heaven. 

Tiger cannot live a day without Shraddha, and Shraddha is head over heels in love with Tiger. Shraddha Kapoor's father, is a man who loves money more than anything else, and is capable of going to any extreme, in gaining it. 

Laal Rang full movie

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Laal Rang

The film is meant to be based on two `real life’ incidents, but it doesn’t tell us which. What we get, to begin with, is a scary inside view of the kind of skullduggery that goes on between places and people who are meant to be engaged in saving our lives, and are instead, busy lining their pockets, criminally indifferent to the dangers they pose.

Laal Rang is a crime drama set in Karnal, Haryana, and is about the blood trading business. Directed by Syed Ahmad Afzal, the film also stars Akshay Oberoi and newbie Pia Bajpai.

Shankar (Randeep Hooda) is a local goon, who runs the murky business of blood theft and trading. He joins a government medical college so that he can get easy access to blood banks and blood donation camps. 

That's where he meets Rajesh (Akshay Oberoi) and Poonam (Pia Bajpai). 

Rajesh is fascinated by Shankar's personality and his RX100 bike. Soon they come best buddies-cum-partners in crime. 

Rajesh learns how the whole business of blood-theft works even as he starts falling for Poonam.

Everything goes smoothly for this young college lad until the police enters the scene. 

But things really get ugly between Shankar and Rajesh when the latter starts demanding more money. Greed takes over their friendship and the two part ways, with Rajesh ending up doing business on his own.

However, his solo stint doesn't last long and he ends up at the police station sooner than he expects. If Rajesh doesn't reveal who is the mastermind behind the business, he will have to pay a price.

Despite being a dark crime drama, the film ends very melodramatically. In fact, the story loses its grip because of the unnecessary drama, love angles and songs.

Crime drama is supposed to be explosive, gritty and hard-hitting. Laal Rang is none of them.

It is a good attempt to explore a subject like blood trading but the makers did not use this opportunity to make a good film.

Randeep Hooda plays his character to perfection. As a Haryanvi goon, he is very real and sounds authentic courtesy his fluent diction for obvious reasons. It's a sheer joy to watch him onscreen. Sadly, his strong presence isn't enough to save this faltering film.

Akshay Oberoi is a surprise, and gives a good performance.

Pia Bajpai has very little screen space and doesn't add much to the story.

Laal Rang does not pack a solid punch because of its choppy storyline. Also, since the film is set in the heartland of Haryana, all the characters speak in Haryanvi, which after a point becomes too much. If you don't listen carefully, you may miss the point.

Santa Banta Pvt Ltd

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Santa Banta

Cast: Swara Bhaskar, Ratna Pathak Shah, Sanjay Suri

Director: Ashwini Iyer Tiwari

What works: Performances and engaging narrative.

What doesn't: Second half drags.

Number of weeks: New

BO verdict: Poor opening

Santa Banta Pvt Ltd movie is a story about two friends and their sweet and endearing misadventures. The film is also has a suspense angle which sees the protagonists land in the middle of a kidnapping investigation. 

Parts of the film are shot in 3D. The film also stars Ram Kapoor and Vijay Raaz in pivotal roles while Johnny Lever provides some more laughs. 
The film starts off with the animated introduction of two best friends viz., Santeshwar Singh Solad aka Santa (Boman Irani) and Banteshwar Singh Bolad aka Banta (Vir Das) leading their crazy but simple lives in Punjab. Meanwhile, in Fiji, the High Commissioner Shankar (Ayub Khan) suddenly gets kidnapped under mysterious circumstances, an incident that causes immense unrest amongst the RAW (Research and Analysis Wing) officials in India as well as in Fiji. The Indian RAW officials, then, plan to send two secret agents Santa and Banta in order to rescues Shankar. When the Indian RAW officer (Vijay Raaz) fails to track down the RAW-assigned Santa and Banta, he gets petrified and scared. That's when he bumps upon the Santa-Banta namesake in the form of Boman Irani and Vir Das. The duo, then, get transported to Fiji with the sole objective of tracing Shankar. When Santa-Banta reach Fiji, what happens after that is beyond their imagination. Out there, they land up meeting Shankar's wife Kareena Roy (Neha Dhupia), Shankar's best friend Sonu Sultan (Ram Kapoor) and also Fiji's RAW agents Cutie (Lisa Haydon) and Akbar Illahabaadi (Sanjay Mishra) and the 'gang' of the Kukri-yielding Nepal's No. 1 Don (Johnny Lever). After their initial hiccups while 'investigating' the case, one fine day Kareena Roy meets Santa and Banta and confesses that she has a strong feeling that her husband has not been kidnapped, but, he has gone underground on his own. In the meantime, Sonu Sultan discovers the truth about Santa and Banta and engages his henchmen to bump them off. Will Santa and Banta, despite not being 'qualified' for the job, be able to crack Shankar's mysterious kidnapping, does Sonu Sultan succeed in bumping the duo off, what happens to Shankar in the end is what forms the rest of the film. 

Neha Dhupia, who is no less than a fashion icon, had to style herself for her new film Santa Banta Pvt Ltd.

The B-town beauty had to wear a bikini in one of the scenes and therefore decided to go bikini hunting in Fiji!

Accompanied by the film's stylist, the actress roamed for a few hours in the Fiji market till she found the right one.

We hear the actress might even add the bikini to her personal collection.
Delhi High Court today refused to stay the release of the movie 'Santa Banta Pvt Ltd' scheduled for tomorrow. Justice J R Midha passed the order declining the plea of Delhi Sikh Gurdwara Management Committee seeking stay on the film on the ground that Central Board of Film Certification has not complied with the high court's direction.

The counsel for DSGMC referred to the April 19 direction during the hearing of the contempt plea filed by it and two others against CBFC chairman Pahlaj Nihalani and CEO Anurag Shrivastava, in which it was alleged that they had not complied with the March 29 directions given by the court.

He said that CBFC has not complied with the high court order asking it to give them hearing on the issue. The DSGMC had claimed that the film makes fun of the Sikh community. 

Seeking stay on the film's release, DSGMC claimed that they had met CBFC officials at Mumbai in pursuance to court's April 19 order, but were neither given a proper hearing nor was the movie shown to them.